196 Royalty-Free Audio Tracks for "Piano Notes"

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This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Follow me on youtube for future tutorials and music. Https://www. Youtube. Com/channel/uc3f2acuv1q0hsuaxqqwotrq-------------i make sounds for freesound. Orgi obviously don't get paid anything for uploading and the premise of using freesound. Org is to share sounds for free to everyone. If you could help me make this a sort of go fund me donation so i can continue doing what i love. Any amount donated is greatly appreciated and words can't show how much i appreciate you. Thank you for reading. Https://paypal. Me/pools/c/81iraceqx0.
Author: Erokia
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00:56
Wrote/recorded a short jazz song at 120 bpm in ableton live 9:grand piano for piano. Ezbass for bass. Ezdrummer for drums. Additional notes:-15. 1 lufs integrated-3. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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00:31
Wrote/recorded a short jazz song at 100 bpm in ableton live 9:grand piano for piano. Ezbass for bass. Ezdrummer for drums. Additional notes:-13. 3 lufs integrated-2. 7 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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00:10
My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".
Author: Meg
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00:11
[skeleton playing piano 01. Wav]. Made this with magenta studio! ⭐. Skeleton playing piano. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.
Author: Matrixxx
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01:57
Mellow chill song short 23. Wrote/recorded a mellow chill song using ableton live 9. Piano using ableton's stock grand piano 9 plugin. Ableton's stock space arp plugin. Pizzicato and staccato strings done with native instrument's kontact5 player. Chords: f d#. Additional notes:-13. 4 lufs integrated. -1. 0 db true peak max.
Author: Bainmack
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02:37
Wrote/recorded a free dance tune at 120bpm using ableton live 9. The notes revolve around: c, g, d, e, dableton stock drum rack w/ stock samples for the percussion section. Mod amp sine bleep for the side toms. Ableton stock grand piano for piano. Muggy stock plugin for the synth-like parts w/ pitch bends in the midi. Synth1 vst64 for the long sustaining notes during the rhythm synth parts. Other notes about this recording:-14. 0 lufs integrated. -1. 4 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmack. Youtube. Com/bainmack.
Author: Bainmack
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[skeleton playing piano 02. Wav]. [geeky old school london feeling. Wav]. Made this with magenta studio! ⭐. Skeleton playing piano. If you enjoyed the sound, please star, comment, spread the word!🗣 it really helps! 🎯. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.
Author: Matrixxx
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00:51
Recording of a middle school band short performance. Starts with piano for the intro, then goes into a group of out of tune stringed instruments sounding a lot like "twinkle twinkle little star" followed by polite audience applause, and ending with an audience member's cough.
Author: C V
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02:50
formatted for use in the make noise morphagene. A piano which belonged to my great grandmother. This is from 1873 and sounds unbelievably lovely. Recorded with a dynamic mic going into a doepfer a-119 and recorded by the morphagene. . Note: we have re-formatted this sound to prevent distortion. The higher quality file will be here once it passes moderation:. Http://freesound. Org/people/makenoisemusic/sounds/401011/.
Author: Makenoisemusic
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Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.
Author: Alayan
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00:07
A simple bell sound created with additive synthesis. A combination of eleven oscillator, each one with a different envelope. The resulting udible tone is more or less a b. The sound itself is mixed with a simple piano b note, just to aid tone recognition.
Author: Archeos
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01:01
Whitney music box, variation 11, "minute waltz". 60 notes are used in the music box, whose cycle lasts 60 seconds. Music generated using a program written in the nyquist language. Visualization:http://www. Coverpop. Com/whitney/index. Php?var=v11.
Author: Jbum
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Wanted to emulate the sound of a stopping / slowing down turntable for a "pause" sound effect for a video game. Feel free to reverse the sound to get the matching "continue"-counterpart =). Made in fl studio using the "fruity scratcher" effect on a simple piano note sample.
Author: Wagna
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Stp created a clean strum inside of a fingered bass that wangs in a subwoofer. Great for all styles of music. Works in all daws.
Author: Streetpoptunez
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00:46
Can use without credit but i'd love to see where it's used so don't be shy to share your work with me!. Made by randomly mashing the high notes on my keyboard and having the reverb all the way up and the dry down. Simple but very effective. Https://soundcloud. Com/distant-cry.
Author: Lunaowwwww
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11:18
Often use wine glasses in musical scores so i created my own recordings. I've used these many times and wanted to share. Kind-of reminds me of soundtrack for the dark knight.
Author: Jamesbradford
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00:35
Wrote/recorded a short noir, detective, mystery type song at 120 bpm in ableton live 9:grand piano for piano. Ezbass for bass. Ezdrummer for drums. Native instrument's kontakt player for brass section. Additional notes:-14. 7 lufs integrated-2. 3 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.
Author: Bainmack
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00:16
An mp3 recording of a blood-curdling scream which slightly reverberates. Made by me screaming into the piano while holding down the pedal, which makes the notes vibrate in tune with the voice. The scream is a little weird because i couldn't do it very realistically. :-) recorded with a black sony digital ic voice recorder.
Author: Funwithsound
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Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Author: Opus33 at English Wikipedia
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00:08
[skeleton playing piano 01. Wav]. Made this with magenta studio! ⭐. Geeky old school london feeling. Note: make sure to check out the other sounds! the sound quality is always better when you download the sound(s)! ⭐. More content otw!/matrixxx aka lil mati.
Author: Matrixxx
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00:02
This is a single guitar string plucked with a pick directly at the headstock, that means between the tuners and the nut. There the string is very short and tight, resulting in a high, almost piano-like tone. Also, since there is no sound box, the tone is rather quiet. I used this for a sampler and i liked the sound of it. This is the raw recording. If you want to use it in a sampler too, i recommend adding some eq, reverb and maybe some delay. It is not perfectly in tune though, the closest note is a#. You might tweak the tuning a little bit when using it in combination with other tuned instruments. Microphone: akg perception 120post-processing: none.
Author: Mathewhenry
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I recorded my dog barking after i hit a single note on my piano. Recorded using my ipad microphone, sorry for the lack of proper recording. I figured i would just nab it while he was feeling talkative!. Use for whatever you need. Could be perfect for an animation or a background filler noise!.
Author: Jace
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Music i made in garageband for something called victors crypt. The original idea was this melody i made on acoustic guitar. Then i addded strings to make it more spooky and a bass-note along with a piano-chord to make it sound more powerful. Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.
Author: Victor Natas
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Diboz throws a piano at his annoyingly ticking watch, which is ruining his sense of timing. Created in flstudio 11 with lightly tweaked flkeys, flreverb2, jangly (almost tubular bells) wasp xt layers and a pitch bent formant for a bit of spookiness. The ticking noise and deep notes were generated by fiddling with morphine's presets. Caution: look at the waveform. Don't turn up the wick. This piece starts quietly but there's a sudden, loud, jump scare.
Author: Diboz
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00:36
24 bit sample, direct to sound card, volume adjusted to remove peaks. . . Sound is a long recording of static and crackling noises with random notes and music from a circuit bent musini toy. I honestly don't know if the static sound (activated with two body contacts) is classified as "white" or "pink" noise, but i really like the sound of it! a plethora of crunchy, crispy, noisy snippets to transform into a drum kit or something like that!.
Author: The Semen Incident
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00:30
Downloaded from the university of iowa electronic music studio. All samples are free. The uoi electronic music studio people ask you to consider a donation to the university's studio for their great recordings or to send them an email to inform them about what you've created with their work!http://theremin. Music. Uiowa. Edu/mispiano. Html. 84 notes. Unfortunately, gb7 is missing. . . Instrument pianomodel steinway & sons model bperformer evan mazunikdate november 5 & 27, 2001location 2017 voxman music buildingtechnician michael cashdistance left mic 8" above center bass strings right mic 8" above center treble stringsmicrophone neumann km 84mixer mackie 1402-vlzrecorder panasonic sv-3800 datformat 16-bit, 44. 1 khz, stereocomments stereo, non-anechoic recording.
Author: Feelander
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05:54
Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: traditional; Arrangement: Master Sgt. Jeff Martin; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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07:38
Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: traditional; Arrangement: Master Sgt. Ben Patterson; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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06:42
Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: Master Sgt. Ben Patterson; Arrangement: Master Sgt. Ben Patterson; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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00:42
This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.
Author: Afleetingspeck
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08:36
December Makes Me Feel This Way ("Joy to the World") performed by the Airmen of Note of the United States Air Force Band. Track 6 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: George Frederick Handel; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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04:06
Good King Wenceslas and His Merry Band performed by the Airmen of Note of the United States Air Force Band. Track 1 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: traditional; Arrangement: SMSgt Mike Crotty; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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05:41
Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: James Murray; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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07:58
Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: Master Sgt. (Ret.) Alan Baylock; Arrangement: Master Sgt. (Ret.) Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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04:08
Sheridan Square performed by the Airmen of Note of the United States Air Force Band. Track 7 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: Master Sgt. Kevin Cerovich; Arrangement: Master Sgt. Kevin Cerovich; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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05:38
Eagle Eyes performed by the Airmen of Note of the United States Air Force Band. Track 8 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*
Author: Composition: Master Sgt. Jeff Martin; Arrangement: Master Sgt. Jeff Martin; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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05:03
Handing out 2018 christmas gifts after lunch, launceston, tasmania. 11 adults, 6 children, 1 baby. Recorded on a pmd661 with a rode nt4 stereo mic. Six takes, separated by 1-second silence. 0. 00 - 0. 41: general ambience, washing-up sounds in background. “is this a trick present?”. 0. 42 - 1. 45: no washing up. “this is so exciting”, “which anna is this for?”. 1. 46 - 2. 20: “sam, where’d you get all that money?” “probably my best christmas ever”. “is it. Oh, that’s lovely to hear. ”. 2. 21 - 3. 48: “who calls me suzie?” “you’ll love it”. Exclamations and laughter. “from england”. “pickled onions”. 3. 49 - 4. 22: “what takes your fancy?” “anything that you don’t like”. “do you want something auntie jenny? it’s for the extended family”. Piano notes. 4. 23 - 5. 02: baby trying to cry, unhappy. “look at you. Such a big girl now”.
Author: Guyburns
00:00
05:48
O Christmas Tree performed by the Airmen of Note of the United States Air Force Band. Track 5 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*
Author: Composition: traditional; Arrangement: MSgt Rich Sigler; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
00:00
05:24
Oy Chanukah performed by the Airmen of Note of the United States Air Force Band. Track 11 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*
Author: Composition: traditional; Arrangement: MSgt Steve Erickson; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
00:00
06:01
We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*
Author: Composition: John Henry Hopkins; Arrangement: MSgt Jeff Martin; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
00:00
07:58
Hark, the Herald Angels Sing performed by the Airmen of Note of the United States Air Force Band. Track 4 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*
Author: Composition: Felix Mendelssohn; Arrangement: TSgt Ben Patterson; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
00:00
07:33
Go Tell It on the Mountain performed by the Airmen of Note of the United States Air Force Band. Track 19 from A Holiday Sampler (2009). Track 1 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*
Author: Composition: traditional; Arrangement: MSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
00:00
01:55
A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.
Author: Untitled
00:00
02:60
Cct110: found in translation (show notes). Hosted by lily yu. This podcast gives a brief overview of youtube’s recent update on the on-site comment translating software and examine how it is beneficial in establishing contact with other youtube communities. We will also look at who this change affects the most, how the comment section influences youtube and how this change is part of a global movement for connection. Podcast contentsintroduction 0:00 – 0:11imagine you are reading the comments 0:12 – 0:50history of the translate button 1:01 – 1:09what it does 1:10 – 1:13errors in translating 1:14 – 1:24benefits 1:25-1:40who uses it 1:41- 1:53importance to youtube 1:54 – 2:26importance to the world. 2:27 - 2:43conclusion – 2:44 - 2:59. Song credits (listed in order of appearance). “winsquare. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/527650/. "piano, bach fantasia, a (h1). Wav" by inspectorj (www. Jshaw. Co. Uk) of freesound. Org. “upbeat theme loop. Wav” by mrthenoronhahttps://freesound. Org/people/mrthenoronha/sounds/506893/. “jingle_achievement_00. Wav” by littlerobotsoundfactoryhttps://freesound. Org/people/littlerobotsoundfactory/sounds/270404/“parallel universe” by andrewknhttps://freesound. Org/people/andrewkn/sounds/404458/. “winfretless. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/521644/. Podcasts discussed. 23 youtube stats that matter to marketers in 2022. Social media marketing & management dashboard. (2022, february 14). Retrieved march 3, 2022, from https://blog. Hootsuite. Com/youtube-stats-marketers/r/timeworkssubmissions - youtube's comment translations are very broken. Reddit. (n. D. ). Retrieved march 3, 2022, from https://www. Reddit. Com/r/timeworkssubmissions/comments/rnte1g/youtubes_comment_translations_are_very_broken/.
Author: Chocolatelilac
00:00
22:46
Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte
Author: scrymgeour34
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